Résultats lu par "Ghizela Rowe" dans Toutes les catégories

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

Born in 1797, her mother died when she was only 11 days old. Mary was then raised by her father, who remarried when she was four, with a liberal but informal upbringing. At 17 she began a relationship with the poet Percy Bysshe Shelley, which was the bedrock of her life, although society viewed the unmarrieds somewhat differently. It was in this relationship that she nurtured and edited Shelley’s verse and wrote, at 21, her signature work, Frankenstein, for which she is so well known.

Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

Kabir, meaning "Great" and one of the 99 names of God in Arabic, was a mystic and poet, born around 1440 in Varanasi to poor Muslim parents. Another account claims he was the child of a Brahmin widow. He himself said he was "at once the child of Allah and Ram". Kabir grew up learning his father’s craft of weaving and overcame many obstacles to become a disciple of Saint, or Swami, Ramananda, the leading pioneer of the Bhakti movement, which promoted salvation for all.

The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

The Irish Short Story tradition is packed with literary leviathans who take the raw ingredients of the land, it’s people and their own talents to create quite dazzling narratives in these perfectly pitched short stories. Genius has many names.

What is love? The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another. Love is perhaps best expressed through poetry.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

John Donne was born on 22nd January 1572 in London into a Roman Catholic family when Catholicism was illegal in England and there was turbulence and unrest with both state and church throughout much of Europe. His father, also named John, died when he was four, and his mother, Elizabeth Heywood, married a wealthy widower, ensuring the family were looked after. He received a good education in both Oxford and Cambridge but was unable to obtain a degree without taking the Oath of Supremacy, which as a Catholic he refused to do.

Written by Rudyard Kipling, the popular British Victorian writer, these origin stories are fantasized tales written with a delightful sense of whimsy that charms adults and children alike. These excellent readings by Ghizela Rowe & Tim Graham make it abundantly clear why they have become such special classics that continue to tantalize and excite the imagination.

With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning’s status as one of the great Victorian poets will always be secure in popular culture, while for the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed, it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim.

It is often said that two things are unavoidable: death and taxes. Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell. Its nightmare visions are so terrifying, conjured up by Dante, Milton, Blake, Baudelaire and many others.

In 1667, Dryden published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London. This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670), as his talent encompassed many forms; from poetry to plays to translations. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697).

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

Rudyard Kipling. With our almost religious zeal to categorise and pigeon hole everything it should come as little surprise that one of the poems we learnt at school should so regularly be voted the best ever poem. Whether ‘If..’ deserves that credit or not is irrelevant to this empire wandering artist who was not only a fine story teller but a great poet of the Empires, its people and views.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

Love whether fleeting or of the ages, expressed with a look, a touch, or a thought is wanted by us all. Our classic poets did not surrender to the logic of the group or seek advice from others quick to blame but slow to embrace. Their legacy remains because it is true, because in that look, that touch, that thought, that display of words the heart remembers us and treasures us. Here are words and verse of love. For your ears, your loved one’s ears and hearts everywhere.

Whilst writer Charles Dickens needs no introduction, his Haunted House anthology might, not least because in his role as editor he introduces a formidable array of known and lesser-known literary talents.